File Size: 3888 KB
Print Length: 240 pages
Page Numbers Source ISBN: 1620401754
Publisher: Bloomsbury USA; 1 edition (February 2, 2016)
Publication Date: February 2, 2016
Sold by: Digital Services LLC
Language: English
ASIN: B01A6NBNNS
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #366,135 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #47 in Books > Literature & Fiction > History & Criticism > Movements & Periods > Modern #66 in Kindle Store > Kindle eBooks > History > Modern (16th-21st Centuries) > 17th Century #69 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > European > Spanish & Portuguese
After I became accustomed to the author's writing style I am really impressed with his level of knowledge, both scholarly and intuitive. This book really gives the reader a sense of who Cervantes was and how inter-related the author is with his wonderful characters, Don Quixote and Sancho Panza. It also includes biographical information about the wonderful man who wrote one of the best novels ever.
This book is an excellent read, not only for scholars and those with an interest in Spanish literature, but also for any literate book lover. The author makes a persuasive and lucid case for the unparalleled contribution Cervantes made to Western cultural and intellectual history. At the same time, Egginton weaves an intriguing narrative of the events in Cervantes' life that led to the creation of his memorable characters and stories. In doing so, the author admirably substantiates his thought-provoking title.
Egginton brings Cervantes to life better than any biographer before him. And he delivers on the promise of the title! He well and truly explains how Cervantes did - in fact - invent modern fiction. Here are a couple of nuggets:"By setting before his reader not just a problem or a passion or a crime, but the way in which that problem, passion, or crime is being presented, explored and understood by the literature and theater of his day, Cervantes had subtly begun the process of teaching his readers to divide themselves in two, to become at once the readers within the texts, whose emotions treat what's happening as real, while remaining equally without, aware that it's all just a story." - p. 121-122."When Cervantes invited a new generation of readers to follow his knight into the Sierra Morena, they discovered through their tears of laughter that they had entered a new world. For the writers and readers to come, the pages of a book could never again stand like foreign objects of wonder, to be admired from a distance. From now on, opening a book would mean stepping into a space more like one's own, a Sierra Morena next door instead of a mythical wood or mystic crag, and even those places of mystery or magic, from Never Never Land to Hogwarts, would always be places in which other versions of our own selves would go to for relief from the pressures, pain, or simply the boredom of our daily lives." - p. 136I haven't read a book quite like this one since Russell Shorto's "The Island at the Center of the World." If you were interested enough in this book to read the reviews, I'm more than certain that you will love it. Egginton does not disappoint.
Egginton’s most recent book again proves that literary scholarship need not be limited to an academic audience. The Man Who Invented Fiction provides a compelling re-examination of one of the greatest monuments of modern literature, one that focuses on the initial impact of that work and how the new kind of fictional thinking that Cervantes pioneered in the 17th Century has become an inextricable part of the Modern world. While the work is clearly the product of exhaustive investigation, any avid reader of literature, history, or philosophy will find something to love in the man who created fiction.
This book did a wonderful job giving a detailed account of Miguel de Cervantes Saavedra, author of The Ingenious Gentleman Don Quixote de La Mancha. Set against the backdrop of 16th and 17th century Spain, it tells the life and times of the son of a poor barber-surgeon and how his most famous work introduced a new literary genre which would impact (and still does) novels to come. Even if you haven't read about the famous Don (but you really should), readers will still get an accurate portrait of a true genius.
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