Series: Oxford Companions
Hardcover: 984 pages
Publisher: Oxford University Press (July 4, 2001)
Language: English
ISBN-10: 0195082095
ISBN-13: 978-0195082098
Product Dimensions: 10.2 x 2.5 x 7.5 inches
Shipping Weight: 3.8 pounds (View shipping rates and policies)
Average Customer Review: 4.1 out of 5 stars See all reviews (16 customer reviews)
Best Sellers Rank: #271,181 in Books (See Top 100 in Books) #36 in Books > Reference > Encyclopedias & Subject Guides > Military #234 in Books > History > Historical Study & Educational Resources > Reference #252 in Books > Reference > Encyclopedias & Subject Guides > History
Students and history buffs need a good, comprehensive volume on the significant people, events, movements and changes in the United States over the course of its history. This volume, from the leading publisher of reference books in the English language, fails and disappoints with regard to these goals. This Oxford Companion tries to be the United States History of Everything, as a result it misses key aspects of political history and what it does cover is often inadequate and incomplete.The Companion tries to cover too many aspects of cultural history and its icons. As a result it sacrifices information on many important political and public figures. We get biographies of Michael Jordan and Marilyn Monroe but no separate bios of George Mason, William Borah, Hiram Johnson, Henry Cabot Lodge, Tom Watson, Joseph Cannon, Thomas Dewey, Nelson Rockefeller, Clarence Darrow, Sam Rayburn, Jesse Jackson -- and the list goes on and on. When they are covered it is often in snipets in subject area articles, which does not give a complete overview of their public careers.What it does cover in cultural and intellectual history is often incomplete. The Companion has separate artices on the history of the blues, jazz and a weak article on rural country and folk music, but absolutely nothing on bluegrass or commercial country music and its pioneers. The index doesn't even mention the Carter Family, Jimmie Rodgers, Bill Monroe or Hank Williams. Yet country music far exceeds both the blues and jazz in popularity in terms of its fan base and are certainly deserving popular art forms for inclusion.The selection of significant figures for separate biographies is often strange and arbitrary.
This "companion" has turned out to be less usable than I had hoped. Perhaps I can blame only myself; I wanted a "dictionary", or even an "encyclopedia", not a companion, though there is a similar and similarly-titled volume for British History from Oxford; that book is generally satisfactory. To be sure, there's quite a lot of information in this fat single-volume work on the USA as well, but it can be difficult to find it, and some of it just isn't there.The articles tend to be long involved essays. I'm in no position to argue their validity, as scholarship, but I want short, to the point articles. I tend to use a book like this for reference when reading popular writing by established scholars, and I'll leave the ruminations to my current author; it's not the place of a single-volume handbook. Rather like the New York Times exceeding its bounds with its long "in-depth" articles when I just want the facts of the matter, in so far as they can be ascertained and presented. This has nothing to do with ideology; a newspaper is something different from a specialist magazine, or even a news magazine. The same goes for a handbook of history.Remedy might be sought in the Index. Alas, the Index enumerates mentions, but offers no guidance as to where the bulk of the info may be found, unless there's actually a headworded article for the matter. Sometimes there *isn't* anything substantial.Garraty and Foner's Readers Guide to US History frequently offered convenient articles that told me what I wanted to know.
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