File Size: 1769 KB
Print Length: 224 pages
Publisher: The Feminist Press at CUNY (October 1, 2005)
Publication Date: October 1, 2005
Sold by: Digital Services LLC
Language: English
ASIN: B0029ZBGZ2
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Not Enabled
Best Sellers Rank: #306,070 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #41 in Kindle Store > Kindle eBooks > History > Africa > North Africa #169 in Books > Politics & Social Sciences > Politics & Government > Specific Topics > Colonialism & Post-Colonialism #249 in Kindle Store > Kindle eBooks > Literature & Fiction > Historical Fiction > African
More than a half-century after it was published, when its extraordinary author was only 26 years-old, this novel is as urgent and as timely as if it were written yesterday. Portraying the Algerian resistance to the French occupiers from a woman's perspective and from the ground up, this novel shines a harsh light on both the past and present sources of the Arab conflict with the West. Particularly in light of the Algerian roots of the Charlie Hebdo attackers in Paris.
Very interesting book. Sometimes incoherent, but overall an enlightening experience. This book gives great insight into what it was like to live in Algeria during the revolution there. The cultural aspects are also quite fascinating. It's not a "quick, fun read," but it does make you think as it challenges your perceptions.
Assia Djebar's third novel is a transition to a work that served the Algerian nationalist cause but retained her romantic tone. The Afterward by Clarisse Zimra including interview with Djebar is invaluable.Ruth Roded
I honestly found the storyline confusing and difficult to follow. This is probably because Djebar's method of characterisation is so different from that used in modern English literature - a combination of the elliptical and straightforwardly descriptive; and that combines with unfamiliar names and a general lack of dialogue, and frequently action, to demand a lot of the English reader. Indeed, the novel is shot through with the spirit of "tell don't show".Where this novel works is not so much in its form as a novel, but rather in its vignettes and incidents which reveal the characters' inner lives and motivations. The "tell don't show" format works well, and speaks directly to the reader unfamiliar with the society of 1947 Algeria.
Fantastic book!
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