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Aberrations In Black: Toward A Queer Of Color Critique (Critical American Studies)
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The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture--sexual difference--can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology--Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson--has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories--the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture--works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story--one in which people who presumably manifest the dys-functions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery--a never-published chapter of Invisible Man that deals with a gay character in a way thatcomplicates and illuminates Ellison's project. Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson's work introduces a new mode of discourse--which Ferguson calls queer of color analysis--that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology. A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture.

Series: Critical American Studies

Paperback: 192 pages

Publisher: Univ Of Minnesota Press; 1 edition (December 10, 2003)

Language: English

ISBN-10: 0816641293

ISBN-13: 978-0816641291

Product Dimensions: 5.9 x 0.6 x 9 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)

Best Sellers Rank: #49,234 in Books (See Top 100 in Books) #4 in Books > Gay & Lesbian > Literature & Fiction > Literary Criticism #6 in Books > Textbooks > Social Sciences > Gay & Lesbian Studies #20 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > United States > African American

Dr. Ferguson provides a clear and readable treatment of liberalism, Marxism, race, sexual regulation in the US. i would recommend this book to any new scholar American culture studies, African American Studies and or sexuality studies.

In this brilliant book, Rod Ferguson interrogates canonical sociologys' regulation of sexual difference as part of its pathologization of African American culture. Sophisticated in its critiques of race, gender, and sexuality within analyses of cultural, economic,and epistemological formations, this book breaks new ground in sociology, American studies, queer theory, and women of color feminism. Great for graduate and undergraduate courses on the problematic history of the discipline of sociology as well as courses on sexuality and queer theory.

This is a great book. It gives a wonderful view on how, why, and when the history of queer theory works throughout history.

An amazing read if you're trying to get into queer of color critique.

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