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China's Cosmopolitan Empire (History Of Imperial China)
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The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu.

File Size: 3531 KB

Print Length: 368 pages

Publisher: Harvard University Press; Reprint edition (April 2, 2012)

Publication Date: April 2, 2012

Sold by:  Digital Services LLC

Language: English

ASIN: B003WE9C5A

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Yet another nice volume in the Belknap Press series on Imperial China. As with the other books in this series, the goal is to provide a solid introduction to the period covered, in this case the Tang dynasty. The general approach of these books, 3 of them written by Prof. Lewis, is the same. There is usually a chapter devoted to basic narrative and then several chapters covering major themes and developments during the period under review. Including footnotes and what are generally very nice bibliographies, each of these books is about 300-325 well written pages.For this volume, Lewis's focus is on the cosmopolitanism of the Tang period. By this Lewis means the relatively high degree of engagement of Chinese society with outside cultures and traditions. In particular, Lewis sresses the diverse nature of Tang society with multiple religious traditions - Buddhism, Daoism, Confucianism (to the extent that it can be called a religion) and other religions that come over the Silk Roads. As the same time, Tang was a period of relative economic dynamism with the Tang state producing a huge internal market and expanding trade and Chinese influence in is East and Southeast Asia. The relative importance of Chinese interactions with the non-Han societies and traditions of Inner Asia is also a theme. But Lewis shows also that the Tang period proceded towards a less cosmopolitan, more "Chinese" society. The great expansion into the southern regions of what is now China plus environmental degradation and political complications in northern China moved the center of gravity of Chinese life away from the North and the influences of Central Asia and more eastern cultures.

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