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Three Early Modern Utopias: Thomas More: Utopia / Francis Bacon: New Atlantis / Henry Neville: The Isle Of Pines (Oxford World's Classics)
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With the publication of Utopia (1516), Thomas More provided a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia.This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Bringing together these three New World texts, and situating them in a wider Renaissance context, this edition--which includes letters, maps, and alphabets that accompanied early editions--illustrates the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put.

Series: Oxford World's Classics

Paperback: 250 pages

Publisher: Oxford University Press (January 13, 1999)

Language: English

ISBN-10: 0192838857

ISBN-13: 978-0192838858

Product Dimensions: 7.7 x 0.7 x 5 inches

Shipping Weight: 0.8 ounces

Average Customer Review: 4.2 out of 5 stars  See all reviews (325 customer reviews)

Best Sellers Rank: #993,731 in Books (See Top 100 in Books) #80 in Books > Politics & Social Sciences > Politics & Government > Ideologies & Doctrines > Utopian #532 in Books > Politics & Social Sciences > Politics & Government > Ideologies & Doctrines > Radicalism #1378 in Books > Textbooks > Social Sciences > Political Science > Political Ideologies

This is a first-rate biography of the sainted Thomas More. Ackroyd's goals in this biography are to present a non-anachronistic depiction of More, and through his portrait of More, to give readers a sense of the late Medieval world destroyed by the Reformation and the emergence of nation-states. Ackroyd presents More as a man exemplifying the late Medieval ethos. Deeply religous, highly intelligent, and well educated, More existed with a profound sense of human fallibility and saw all aspects of his world as manifestations of a divine order. The world as the body of Christ, a metaphor to which Ackroyd returns repeatedly, is a recurring theme. The temporal world is transient and a necessary preparation for the eternal and in a crucial sense, less real than the eternal world of Christian teachings. This world is bound by custom and inherited legal and religous traditions, hierarchial and paternalistic in its structure of authority, and deeply enmeshed in rituals that mirror the structure of divine authority. More was not, however, a reactionary except when the radicalism of the Lutherans pushed him to stringent and violent acts needed to defend the integrity of his perception of the Christian world. A prominent member of the Northern European Humanist movement, More was dedicated to the recovery of a renovated faith based on a new reading of the Patristic fathers, attention to classical, particularly Greek neoplatonic authors, and disdain for complex scholastic theology. He and his fellow Humanists hoped for reformation of the Church without abandoning the unity of Christendom, the apparatus of ritual and hierarchy that defined so much of their lives, and the primacy of papal authority.Ackroyd's efforts to present More and the late medieval ethos are very successful.

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