Series: Oxford World's Classics
Paperback: 208 pages
Publisher: Oxford University Press; Critical ed. edition (July 26, 2009)
Language: English
ISBN-10: 0199238553
ISBN-13: 978-0199238552
Product Dimensions: 7.7 x 0.8 x 5 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review: 3.5 out of 5 stars See all reviews (8 customer reviews)
Best Sellers Rank: #399,587 in Books (See Top 100 in Books) #138 in Books > Literature & Fiction > History & Criticism > Regional & Cultural > European > German #278 in Books > Textbooks > Humanities > Literature > World Literature > European #300 in Books > Literature & Fiction > World Literature > European > German
Franz Kafka's novella The Metamorphosis exists in the same terrifyingly absurd sort of world as so many of his other stories. His characters are often oppressed by isolation and a sense of futility, and as such the horror they experience is part and parcel with the very act of living. In his novel The Trial, for instance, Josef K. is arrested and prosecuted for a crime unknown not only to the reader but to himself. Many of Kafka's stories exist on the borders of madness and despair, something most Horror writers can only dream of accomplishing in their own work.The Metamorphosis is a strangely-layered work pulling out of many literary traditions, but still seemingly unique. The title, for instance, is a reference to Ovid's Metamorphoses, an ancient Roman work that retells Greek myths to make the philosophical point that all things are in a state of flux and transformation. The mutation of traveling salesman Gregor Samsa into a giant insect is reminiscent of werewolf stories... well, except for the insect part. The suddenness and unexplained nature of the mutation is a feature of absurdist and postmodern art, which has it that the world (contra Aristotle) is intrinsically irrational and chaotic. The unkindness of Gregor's family as they fail to adjust to his curse is evocative even of the crueler sort of European fairy tales.But despite all this, there is nothing that can quite prepare the reader for a story which describes the protagonist's plight in this way: "His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." It manages to be both disgusting and terrifying at the same time, something the Splatterpunk subgenre rarely achieves.
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