File Size: 745 KB
Print Length: 255 pages
Page Numbers Source ISBN: 0989236706
Simultaneous Device Usage: Unlimited
Publication Date: May 28, 2013
Sold by: Digital Services LLC
Language: English
ASIN: B00D33KPD8
Text-to-Speech: Enabled
X-Ray: Enabled
Word Wise: Not Enabled
Lending: Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #43,651 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #34 in Kindle Store > Kindle eBooks > Reference > Writing, Research & Publishing Guides > Publishing & Books > Authorship #52 in Books > Reference > Writing, Research & Publishing Guides > Publishing & Books > Authorship
Over the years, I have relied on various works to instruct and guide my efforts to write more effectively. For example, Strunk and White's The Elements of Style, Zinnser's On Writing Well, and Hacker's Rules for Writers. To them I now add this book. The Book on Writing is widely adopted (or recommended) by school, college, and university instructors. I think it will also be of great value to just about anyone else who needs to improve reasoning and reading as well as writing skills. LaRocque divides her 22 chapters within two parts, "A Dozen Guidelines to Good Writing" and "Language and Mechanics." The chapter titles suggest several key points, all of which are evident in the non-fiction of masters such as George Orwell and E.B. White. For example:Chapter 1: Keep Sentences Short, and Keep to One Main Idea Per SentenceChapter 5: Use the Right WordChapter 7: Prefer Active Verbs and the Active VoiceChapter 8: Cut WordinessChapter 12: Get Right to the Point. And Stay ThereAlthough these and other of LaRocque's guidelines may seem obvious, my own experience as a classroom teacher suggests that few students seem to be aware of them...and even fewer follow them. (FYI, I taught English for 13 years in two New England boarding schools -- Kent and St. George's -- and for the past 10 years have been an adjunct professor of English at a local community college in the Dallas area.) What sets LaRocque's book apart from almost all others which cover much of the same material is that her personal, indeed conversational style establishes and then sustains a tutorial relationship with her reader; also, throughout her book, she includes hundreds of real-world examples of writing which is correct or incorrect, appropriate or inappropriate, effective or ineffective.
This author has impeccable credentials, having worked in journalism all her professional life. She has been a newspaper editor, corporate seminar leader (in writing and communication), college professor, and author of many books. She puts a lifetime of writing, editing, and the teaching of writing into this book. No wonder it is so good.She divides it into three parts:Part I - a dozen guidelines in 80 pages: Keep sentences short, and keep to one main idea per sentence; avoid pretensions, gobbledygook, and euphemisms; change long and difficult words to short and simple words; be wary of jargon, fad, and cliche; use the right word; avoid beginning with long dependent phrases; prefer active verbs and the active voice; cut wordiness; avoid vague qualifiers; prune prepositions; limit number and symbol; get right to the point. And stay there.Part II - Chapters 13 - 22, 10 points in 80 pages: This part is the meat, is the hardest to achieve, and is about telling your story. She fills it with examples from famous and not-so-famous authors, good writing and bad: LaRocque: Creative writers can strengthen their work with allusions or quotations without explaining or attributing them. This is especially true of quotations, if they're well known. Sometimes both writer and characters can have fun with allusions or quotations, or otherwise find them useful in clarifying the action. In Ruth Rendel's "Shake Hands Forever," her sleuth Inspector Wexford says on the phone to one of his investigators: "Howard, you are my only ally." Howard responds: "Well, you know what Chesterton said about that. I'll be at that bus stop from five-thirty onwards tonight and then we'll see.
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