Series: Semiotext(e) / Active Agents
Paperback: 312 pages
Publisher: Semiotext(e); First Edition edition (October 5, 2012)
Language: English
ISBN-10: 1584351144
ISBN-13: 978-1584351146
Product Dimensions: 6 x 0.9 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #168,820 in Books (See Top 100 in Books) #26 in Books > Literature & Fiction > History & Criticism > Movements & Periods > Feminist #73 in Books > Literature & Fiction > History & Criticism > Women Authors #95 in Books > Politics & Social Sciences > Women's Studies > Women Writers
Reading Kate Zambreno's essays is a little like reading her blog, FRANCES FARMER IS MY SISTER. The constant literary references can be breath-taking, if a bit distracting. Sometimes she sends me off on bookish rambles, two or three at a time. Sometimes she makes me wish we could have lunch, or at least a long telephone chat. The mind of this woman is vast.That being said, there is a moment of murkiness on p. 259 when it seems as if either Zambreno or her grad student friend thinks that Charlotte Perkins Gilman wrote THE AWAKENING. I know this can't be true, and prove it to myself by finding at least a dozen references elsewhere in the book to Kate Chopin, but this one flaw bothers me in an otherwise stellar book. Is it an editing issue, and if so, how did it slip past? One of the reasons I love Zambreno's work is that you can see her (and hear her) editing herself, all the time, so I had to wonder what happened. I wouldn't expect her to catch every comma splice on the blog, but a book of essays is more formal, and with only a print edition so far, more written in stone.Perhaps it's a paltry question to ask about a truly brilliant collection, but I do hope it will be cleared up in the electronic edition, which is surely underway. This is one of those books one wishes to have available on all devices, for moments of waiting in traffic or offices. Something approaching delight or insight is on every page - proof that feminists can be funny as well as cerebral.
Fantastic book. If you're thinking of buying it, do it.
This book is brillo, Zambreno a zavant. Read it on trains and cross-town buses. Read it in airports and bundled up in cafes. Stick it on your shelf between Bowles (Jane) and Markson (David). Or else pass it on to someone you esteem. Above all, speak breathlessly about it, rave about it - this book which is certainly some kind of remedy.
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